YIXIE SHEN  -  COMPOSER

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Yixie Shen (b. 1993, CHN) is a composer based in Hamburg, Germany. She is the recipient of the Gaudeamus Award (2024), among further honors including the Alexander International Music Award in collaboration with junge norddeutsche philharmonie (2023), the Zwei Orgeln Plus by Musik 21 Niedersachsen (2024), and the VIII Ensemble Écoute Composition Competition (2026). She is a Resident Fellow of the Roger Willemsen Stiftung at mare-Künstlerhaus (2026/27).  

Her music has been presented by orchestras and ensembles across Germany, the Netherlands, France, Spain, Italy, Austria, South Africa, China, and the United States. Performances include those by State Opera Hamburg, Symphoniker Hamburg, Kiel Philharmonic Orchestra, Cape Town Philharmonic Orchestra, as well as by leading contemporary ensembles including Ensemble Modern, Ensemble Ascolta, Ensemble KNM Berlin, Ensemble L’ART POUR L’ART, Ensemble LUX:NM, Ensemble Resonanz,  collective lovemusic, IEMA Ensemble, New European Ensemble, Studio Dan, Trio Catch and Yarn/Wire.

Her works have been featured at major venues and festivals, among them the Elbphilharmonie, the State Opera Hamburg (stabile), the cresc… Biennial, Gaudeamus Festival, Klangspuren Schwaz, Heinrich Schütz Music Festival, Musik 21 Festival, and blurred edges. Broadcasts of her works have been aired by NDR, WDR, SWR, MDR, BR, HR, SR (Germany), ORF (Austria), NPO (Netherlands), and additional international broadcasters.

Her musical path began under the guidance of her father, a pianist and devoted music educator. She completed her Bachelor’s in Composition at the Shanghai Conservatory of Music, followed by a Master’s and Konzertexamen, both with distinction, at the Hochschule für Musik und Theater Hamburg.




Artistic Statement

Yixie Shen perceives music as a generative form of consciousness. Her practice emerges from an experience of becoming, in which perception, sensation, and awareness continuously shape one another. In a contemporary society shaped by production and efficiency, she turns toward another logic.

Inspired by the self-organizing tendencies of nature, her music traces an ecology of listening. For her, composition unfolds as constant listening and negotiation among imagination, material, and time. She holds open the intimate spaces within tension, letting their fragile balances be heard and felt.






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